I recently was working on a super secret project, and found I needed a pretty background fill that enhanced the overall design. I wanted something that looked like a budding flower, or opening petals, something organic, easy and consistent since the other details were more like thread painting and I wanted a nice contrast. Based off designs from the Art Nouveau and Art Deco periods, which I happen to like a lot, this fill was the perfect solution, hope you enjoy the tutorial!
While I did this design on my longarm, this is a background fill you can use with a domestic machine, as well.
This does require marking, and I first chalked a grid, and then chalked deep bell-shaped curves.
The first few are the trickiest to get set up correctly. Once the first row is more or less correct, then I work my way down the next row, trying to get the swoops to be more or less the mirror opposite. You can see where these need some more adjusting.
They look like Christmas ornaments to me, when they’re all sketched in. This shape is going to be the guide for your fill. You won’t actually stitch this spine. This is horizontal, but you could easily mark it vertically, as well.
The first curve is an exaggerated S-shape. You want the tip to come to the line and stretch up a bit, because you’re going to echo it back to just touch the belly of the first.
Repeat a second time. This pass helps to start giving shape to your design.
The third pass is in red, and there are a few things I want to point out. Each of the points is filling up the center, and each of the bellies is creating the outer curve. I backtrack to just touch the line before it. The fourth pass, though, is where I will create that outer bell-shape, and it is probably the most important of all of them.
Begining the fourth pass, you want to create a beautfully shaped curve. The interior shapes aren’t as big a deal as this one, since it is creating the first half of the spine for your next bunch of petals. I used my chalked line to help me with that shape, and while I try to get it as close as possible, I am ok with it being “close enough”. It is, after all, supposed to be an organic natural form.
It’s time to start the beginning of my next shape. I will pick up where that last blue line left off, and create an S shape using the previously stitched line as my spine:
Definitely draw this a couple of times. I had a hard time envisioning how the S curves alternated when I was working this out, and some of them were a bit odd-looking.
In this photo, the first row is in different colors so you can see how I formed each of the shapes. The second and third rows, both starting at the left, are in black so you can see the whole design.
- The first shape is in green, and you can see that I had to pay attention to that first set of swoops, backtracking to touch, so that I would get that nice bell-shaped curve. The next chunk of leaves, in blue, you can see that I simply had to touch back to that last green curve for the first few S shapes.
- Note that the last point of the green and the last “backswoop” of the blue touch, and finish of the top of the bell. You can really see this where the red and orange meet, I think.
I drew this pretty quickly, but I think you can get the idea from the quilting above that this really is a nice fill for making your background have movement and life. It can be quilted really big or really small. Happy quilting, and I’d love to see samples if you choose to use this! Happy quilting!
ETA: I also shared these swirly variations. Enjoy!